The Nara school
![[ Tetsu-Ji Maru-GataTakabori Zogan Sukashi Tsuba, Toshinaga(Monogram) ]](naratoshinaga.jpg) |
|
The Nara is one of the most important schools ranked with the Yokoya
in Japan's metal-carving world. Several schools were derived from
this school.
The primogenitor of the Nara family, Toshiteru's occupation
was lacquering. He participated in building the Nikko Toshogu Shrine
as a lacquerer.
The second head Toshimune quit lacquering and started making metal
fittings of kimono chests or folding screens.
The third head Toshiharu started making sword fittings such as Tsuba
or Kozuka.
As the Nara family changed their job from lacquerer to sword fittings maker, they have nothing to do with other traditinal schools such as the Goto family or the Shoami school.
The style of the Nara's pieces of works is different from others.
For instance, the Goto schools seldom used iron plates as material,
however, the Nara used iron the most.
Or, the Goto chose only routine motifs such as lions or flowers &
grass.
On the contrary, the Nara picked up a variety of motifs, and expressed
them in groundbreaking carving methods (like Katakiribori or Shishiaibori). |
[ Tetsu-Ji Maru-GataTakabori Zogan Sukashi Tsuba, Toshinaga(Monogram) ]
by Nara Toshinaga (1667 - 1736)
At the middle part of the Edo period
|
|
As the Goto, Hirata, Yoshioka and Ito were designated official craftsmen for the Tokugawa Shogunate, their customers were limited to upper class.
On the other hand, the Nara's customers were middle Samurai class. And the Nara brought in novel motifs and carving methods. So that, the Nara gained enormous popularity among the general public. |
![[ Shinchu-Ji Nadekaku-Gata Takabori Zogan Tsuba ]Head](kawamuratsuneshige1.jpg) |
|
![[ Shinchu-Ji Nadekaku-Gata Takabori Zogan Tsuba ]Tail](kawamuratsuneshige2.jpg) |
[ Shinchu-Ji Nadekaku-Gata Takabori Zogan Tsuba ]
by Ryoka (=Kawamura Tsuneshige)
At the middle part of the Edo period
|
Nara-Sansaku |
Nara's Big Three.
Most famous three craftsmen from the Nara school.
Namely, they are Nara Toshinaga, Sugiura Joi and Tsuchiya Yasuchika. |
Nara Toshinaga (1667 - 1736)
His given name is Tahei. Pupil of the 3rd head of the Nara school "Toshiharu".
Toshinaga mainly produced Fuchi & Kashira and Kozuka. Not produced
sword guards so many.
He usually picked up figures, flowers & birds or animals as motifs
of his pieces of works.
He exceled at Iroe-Zogan inlaying on high-relief carved material. |
Sugiura Joi (1701 - 1761)
His given name is Tahichi. After manfood, Senuemon. Born in Kano of Mino
Province as a son of Samurai of Toda Domain.
After Toda Domain moved to Shinano Province under the order from the Tokugawa
Shogunate, he became an official craftsman for the domain.
He became a disciple of Nara Toshinaga in Edo.
Later, he called himself "Eishun" as he was given one kanji character
"Naga" from the head of the Naras "Toshinaga". (The
kanji character "Naga" is also called "Ei" in Japanese.)
After shaving his head, he called himself "Joi".
Joi liked to use Shibuichi (alloy of copper and silver).
His pieces of works are elaborate.
He was good at using "Narabori" carving method, and devised "Shishiaibori"
carving method.
His pen name is Issan-Do.
So that he sometimes inscribed "Issan-Do Joi" on his works. |
 |
Tsuchiya Yasuchika (1670 - 1744)
His given name is Yagonin. Born in Tsurugaoka of Dewa Province (=Now Tsuruoka
city of Yamagata Prefecture) as a son of Samurai of Shonai Domain.
Studied metal-carving under Sato Yoshihisa. Later, he married with Yoshihisa's
daughter, then, he threw away the Samurai rank and became a metal-carving
craftsman.
Though, at his age of 34, he left his wife and child with his father in
law, and went to Edo. Became a disciple of Nara Tatsumasa.
Finally, he went independent and opened a store at Kanda (The Tsuchiya school).
Yasuchika adopted several metals, picked up a variety of compositions,
produced a plenty of sword guards with Sukidashi and Takabori carving methods.
His pieces of works are full of poetic sentiment and approachable.
He called himself "Tou" in his final years. |
|
